Picture Book of the Year 2026 | Picture Book Award shortlist | reading for pleasure picture books - Peters
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Celebrating picture books: with shortlisted Picture Book of the Year authors and illustrators

Peters Picture Book of the Year 2026 shortlist

February 2nd 2026

Every stage of a child's reading journey is important, and picture books are often the very first step on a lifelong adventure into books. Peters Picture Book of the Year celebrates those titles which open the door to young readers, whether through humourous rhyme, evocative illustrations, or reflective words.
We're delighted to be joined by a range of our shortlisted picture book authors and illustrators, who explore why this format is essential to kickstarting the reading for pleasure journey, and why they personally love to create and read picture books.

Click the book jackets below to read the creators' celebration of picture books.

Beanie the Bansheenie
Beanie the Bansheenie
Author Eoin Colfer

9781839136429 Don't Trust Fish

Don't Trust Fish!
Author Neil Sharpson

Letters to a Monster
Letters to a Monster
Author Patricia Forde &
Illustrator Sarah Warburton

97819153952 Llama Library

Llama Library
Author Holly Ryan

9781839135774 This Is Who I Am

This Is Who I Am
Author Rashmi Sirdeshpande

97813985353 Whats That Noise

What's That Noise?
Illustrator Nadia Shireen

 

"Their brains can't get enough of it and neither can their hearts."

Beanie The Bansheenie | Illustration credit 2024 Steve Mccarthy

Eoin Colfer, author of Beanie the Bansheenie

Smaller children learn about their world primarily through sight and sound, and with picture books they get both the wonderful pictures of a skilled artist and the comforting voice of their caretaker reading the words. It is easy to see and understand children love hearing a story at night. Their brains can’t get enough of it and neither can their hearts.

When children eventually learn to read picture books for themselves they are comforted by the familiarity of the medium and enchanted by the wonderful stories and art between the covers.

I have always loved picture books since my parents read them to me as a child. My progression as a reader was from picture books to comic books to chapter books and the wonderful thing about that pattern is that every new step is incorporated into the whole, which means that even though I read mostly chapter books now that doesn’t mean that I ever stopped reading picture books and comic books because I didn’t.

I enjoy creating picture books now because it brings me closer to the people who create the art and in my opinion that is like hanging out with a wizard.

 

"Picture books are every bit as diverse as their adult counterparts."

Neil Sharpson, author of Don't Trust Fish!

Text can be a unscalable wall for young children. Pictures work to allow kids to form mental associations between words and concepts, acting like training wheels. As well as this, the images carry some of the burden of story-telling, allowing the story to be told with simpler, sparser text. And a beautifully illustrated picture book is just appealing to hold and to read. They act as a perfect bridge to illustrated chapter books, which in turn act as a bridge to regular books. And reading a bedtime story is such a wonderful bonding activity. 

What do you love about picture books? Well, that really depends on the genre, doesn’t it? Picture books are every bit as diverse as their adult counterparts. I love I Want My Hat Back for its pitch black humour, Where the Wild Things Are for its eerie, dreamlike atmosphere and The Lorax for the way the ending always makes me cry.

Writing can be lonely and solitary. Picture books are so much more collaborative. Also, the artist does the real hard work and I get half the credit. It’s GREAT. 

Mostly, I love writing for an audience that gets my sense of humour. It also feels like it matters, in a way that writing fiction for adults doesn’t. You get to be part of someone’s childhood, something that made them happy growing up. I don’t think there’s a finer calling than that.

 

"Picture books feel small, but they're amazingly powerful."

Letters to a Monster | Illustration credit Sarah WarburtonPatricia Forde, author of Letters to a Monster

Picture books are essential for so many reasons. They open the door to the world of make believe for children and to the world of literature. The fact that an adult or older sibling takes the time to read to a little one shows them that they are important and that they are loved. This feeling will stay with them for the rest of their lives.

Picture books are friendly and accessible. They build a love of story, a sense of beginning, middle and end and the incomparable feeling of being taken somewhere else. And they bring a small art gallery right into the hands of the reader.

Picture books feel small, but they’re amazingly powerful.

A handful of words, a few images—and somehow you get a whole emotional arc.

I love the collaboration between text and art. The best picture books are like an intricate dance between words and images. Sometimes the pictures contradict the text, or adds something totally new to the narrative.

I love the physicality: the heft of the book, the pacing of page turns, the way a double spread can break your heart wide open!

I love the power! When I write a picture book I am like a film director. I cast the actors, devise the setting and decide where to shine the lights. With every story, I have to decide where to put the camera. Should we look at that point of view, that emotion, that theme?

I love the constraint. My picture books usually come in under 500 words. That word count challenges you to see what is essential, asks you to think deeply about the weight of every word and at the same time to leave room for the illustrator.

I also love the absolute joy of seeing the illustrations for the first time and that feeling that someone has looked into your head and created a whole world.

 

"I believe younger readers deserve detailed artwork, beautifully 'lit' artwork that hides unwritten details."

letters_to_a_monster_credit_sarah_warburton_2.png

Sarah Warburton, illustrator of Letters to a Monster

We learn about the world around us as babies through images. Good picture books - engaging stories, great words and illustrations go hand in hand. The story entrances the reader, and the illustrations serve to fuel the growing imagination even more.

As a young child, my own excitement at reading was sparked by poring over the front cover of a new book or the drawings within. I think it's still the same for most children. Images can ignite an idea for a child, and reading and words can help them expand it. It's a perfect partnership, hopefully for life. 

Illustrating picture books allows me the opportunity to create complete little worlds. I believe that just because a book is aimed at very young children, it shouldn't mean that images are simple. I believe younger readers deserve detailed artwork, beautifully 'lit' artwork that hides unwritten details. When I'm working on a picture book, I get completely absorbed in each 'world', whether it's just one bedroom or a whole landscape. The most exciting time is the first read of a new picture book text. Images come to my head almost immediately. It feels like a tiny bit of magic!

 

"These early moments lay the foundations for a lifelong love of reading for pleasure."

Llama Library | Illustration credit Ella Bailey

Holly Ryan, author of Llama Library

From the moment a child is born, sharing a picture book creates a special bond between the adult reading and the child listening. These early moments lay the foundations for a lifelong love of reading for pleasure. From bedtime stories at home to storytime in nurseries and libraries, children discover the joy of stories through being read to by their caregivers. As they hear the same stories again and again, they begin to know them by heart, which builds confidence and familiarity with language. Eventually, this confidence inspires them to take the next step and try reading for themselves, turning shared enjoyment into independent discovery.

What do you love about picture books? What’s not to love about picture books? I grew up with a small collection of well-loved favourites, and even before I could read, I would pore over the illustrations again and again, sometimes inventing my own stories to go along with the images.  

I have always wanted to write picture books because to me, a picture book is like a warm happy hug, capable of carrying you on a magical journey while comforting you in ways only stories can. When I write it takes me out of my own head and challenges me in many ways too. I am quite addicted to the process it seems!

Writing for young readers gives me permission to be silly, and sometimes COMPLETELY BONKERS. What I love most, though, is watching young children lose themselves in the wonderful world of stories and books. There’s something truly special about visiting libraries and schools and seeing the delight books can spark—how a story can capture attention, inspire laughter, and invite imagination in a way that feels exciting, playful, and full of possibility.

 

"When young readers love a book, they love it with every atom of their being."

This is who I am | Copyright Ruchi Mhasane

Rashmi Sirdeshpande, author of This Is Who I Am

Picture books are a young reader’s first touchpoint with ART. They’re so varied too. They can entertain, inspire, comfort, spark wonder and everything in between.

Every page and page turn is a delight. Every book that resonates deeply in some way makes the reader ask for MORE. It’s how that love of reading begins. It starts with books feeling fun and wondrous and beautiful and irresistible.

I love creating books for young readers because they’re the best readers. When they love a book, they love it with every atom of their being. They’ll read it a hundred times and memorise and anticipate their favourite bits. They’ll fully appreciate every inch of the art.

It’s an honour to make books for these readers and extra special because of the impact picture books can have in terms of making children smile, laugh, think and feel and helping them to navigate this world and find their place in it.

 

"Picture books offer a new reader so many routes into enjoyment."

What's that noise? illustration credit Nadia Shireen

Nadia Shireen, illustrator of What's That Noise?

We read images as well as words, and when we’re too small to decode letters, we can begin to decode pictures. Picture books offer a new reader so many routes into enjoyment. Picking up a book, learning how to turn pages back and forth - even chewing on them - are all precious building blocks that help us form a lifelong relationship with books.

Picture books are a unique art form that bring together words and image in a peculiar, but magical way. They rely on the reader to ignite sparks, make connections and engage with the book, making it a personal and profound artistic experience. That sounds very fancy - but I think it’s true! 

 

 

Crown your winner of Peters Picture Book of the Year 2026!

Teachers and librarians, take part in Peters Children's Book of the Year 2026 and vote for your favourite picture book.
Voting closes 28 February 2026.

Librarians Book Awards | Teacher Book Awards

Picture books shortlist 2026 | Beanie the Bansheenie Picture Book Awards Shortlist | Don't Trust Fish Picture book awards shortlist | Llama Library Letters to a Monster | Picture Book Awards Shortlist 2026 This is who I am | Picture book awards shortlist 2026 What's that noise? Picture Book Awards shortlist 2026

 

Beanie the Bansheenie, Illustration © 2024 Steve McCarthy | Don't Trust Fish!, Illustration © 2025 Dan Santat | Llama Library, Illustration © 2025 Ella Bailey | Letters to a Monster, Illustration © 2025 Sarah Warburton | This Is Who I Am, Illustration © 2025 Ruchi Mhasane | What's That Noise? Illustration © 2025 Nadia Shireen

 

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